January 12, 2009

Singer-Songwriter, A Definition

I am a singer-songwriter.  As a singer-songwriter, I draw upon my roots, my family, my friends, my experiences, my observations, and my instincts and seek to relate them to others in a personal delivery of the songs through performance and recording.

Living in Nashville, I am amongst hundreds of others who refer to themselves as “singer-songwriters” and I have come to realize that we are not all the same.  In fact, I believe that I belong to a special class of artists, relating personal experiences through song in my own way.  I drawn upon the influence of the 70’s singer-songwriters such as Dan Fogelberg, Gordon Lightfoot, James Taylor, Billy Joel and John Denver.

Over the years, many people have come to Nashville with big dreams of being successful songwriters, lured by thoughts of fame and money.  A whole industry has grown up around teaching, coaching, and critiquing songwriting and attempting to impose certain rules upon the craft.  Even though I believe that a certain amount of songwriting can be taught and I admit we are all learning and growing in the craft, the true seed of songwriting comes from the soul.  People like me are born into it and are destined to follow the calling.

Songwriting attracts many different kinds of people for different reasons, most of the time it is the perceived lifestyle, fame, money, the process, or the kind of people.  The Nashville publishing community and the need for relationships has proliferated the idea of “co-writing” which has largely expanded the definition of “songwriter”.  It is widely perceived that basically anyone could be a “songwriter”.  I would agree that anyone who is passionate about something can achieve it, but maybe there should be some distinctions in the definition about who is a “songwriter”.

In a recent newspaper article about a pro football quarterback who writes “songs” and is setting up a publishing company, the “songwriter” commented that he was sometimes intimidated because he wasn’t very “musical”.  A well known songwriter and recording artist responded that “you don’t have to be musical to write songs”.  Now, if you are not musical, I think your contribution to a song is as a “lyricist” or “song idea person” and you are not really a “songwriter”.

In the Nashville social scene, the first question that comes up is “do you want to get together and write”.  For political and economical reasons, it is perceived by most in the songwriting and publishing community that “co-writing” is the primary means to success in Nashville.  If one only contributes to songs through collaboration, then you are a co-songwriter or “co-writer” and not really a songwriter in the true sense of the word.    I am not being critical of “co-writing” because it is valuable tool for some people and I have done some “co-writing” myself, but my co-writing is an activity outside of what I do as a singer-songwriter.

One of the ways to get exposure to the Nashville community is through participating in writer’s nights where a group of songwriters get up on stage and take turns performing their songs.  Writer’s nights are a great way to hone your performing skills and meet other songwriters.  Most of these performers would refer to themselves as singer-songwriters, but in reality, they are usually “co-writers who sing”.  This may not seem like an important distinction to some, but to a singer-songwriter artist like me, the ability to sing and co-write songs does not necessarily make one a “singer-songwriter”.

We all need to seek our paths to success in our own ways.  “Success” in the songwriting business may take many forms and many meanings.  It may be defined as a level of commercial success or it may be something else.  There are places for everyone who can lend their talents to the components that make up a song and each can attain their own definition of success.  For me, success would be fulfilling my destiny through relating my life experiences in songs delivered through my own personal performance and making a difference in someone’s life. 

If I write a song with someone else, I am a “co-writer”.  If I sing a song I didn’t write, I am a “singer”.  If I perform a song that I co-wrote, I am a singer/co-writer.   But the thing that really drives me is the pursuit of my soul’s passion to relate my own ideas in my own way as an artist.  I am a singer-songwriter.

October 30, 2008

Grammy voting, Radio Promo, etc

Preliminary Grammy voting is happening now to determine who the nominees will be.  My CD “Life Is Good” is eligible and I’m hoping to get noticed.  I believe my CD was produced in the spirit in which the Grammy awards were intended, that is, to be true to the artistry that I represent.  Singer-songwriters like me are a dying breed, and I hope to inspire a new generation of original artists.

The opening song on the CD is “The Last Harvest”, a very special song to me since it was written about a conversation with my Dad which brought to light the values and determination that he stands for.  I believe we should all be searching for our true calling in life, and when we find it, we should pursue it as if our life depends on it.  If nothing else, we set an example for our kids and for generations on down the line.  The legacy we leave is truly “The Last Harvest”.

My team and I are promoting “The Last Harvest” to contemporary folk oriented radio… terrestrial, satellite, and internet.  I believe one guy, one song, just might make a difference.  Even if it is just to one person to pass on down the line.

August 22, 2008

CD release set for September 25

The  long awaited release of my new CD “Life Is Good” is upcoming on September 25, 2008.  I had forgotten how long these details can take!  So, now its just waiting….on CD shipments and for the distributor to get the tracks to all of the appropriate sites, iTunes, etc.  When I look back, it’s really amazing that my music can now easily be made available all over the world!  My first album in 1989 had limited distribution, but that was before we really knew about the internet. 

I’m excited to now focus on performance scheduling, radio promotion and media interviews.  The dreamer in me still thinks that maybe my songs and stories can make a difference and change the world, even if it starts with one person.  But hey, every journey starts with a single step.

August 7, 2008

Check out the Players on my new CD

ROLIN R. MAINS, piano & keyboards is a music producer and composer living in Nashville, TN. He does studio sessions around Nashville and in Indiana, and is an arranger/orchestrator. He also composes music for television and film. Rollie has played keyboards with Donna Summer, Sandy Patti, John Michael Talbot, Wayne Watson, Ray Boltz, The Young Messiah Tour, and The Emmanuel Tour. Mr. Mains composed and produced a solo CD on the Brentwood Records label entitled “A Time To Dance” with orchestra and piano. He has composed music for Dino Karstonakis, Bill Gaither’s Praise Gathering, and A&E’s Biography, as well as numerous regional and local commercial spots. Mains has orchestrated music for large symphonic ensembles as well as small chamber groups. He also writes string charts for many custom recording artists. As a producer, he won the 1997 Dove award for Instrumental Album of the Year. He was nominated again in 1998 and in 2000.

Rollie is in the current Trisha Yearwood video “This Is Me You’re Talking To”

GARY TALLEY, Guitar, began his career as a founding member of the Box Tops (The Letter, Cry Like A Baby, Soul Deep) in the late sixties. With the Box Tops, Gary toured extensively and appeared on the Johnny Carson Show and other well known programs of that era. In the seventies and eighties, Gary did many concert dates and sessions with well known artists too numerous to mention. He has also played and sang on many national TV and radio commercials. In the nineties, Gary released a guitar instruction video for songwriters and established himself as the premier guitar instructor for Nashville music folks. He is also a well respected songwriter. In 1996, Gary joined his fellow Box Tops members in the recording studio and resumed performing with them.

JUSTIN LEVENSON, Percussion, is a performer, composer, educator, and leader; earning his position among the professionals in our music community. Justin came to Nashville the summer of 2000 and immediately established himself as a first call percussionist here and in the southeast. He has worked and performed nationally and internationally with Shania Twain, Kenny Chesney, Jessica Andrews and other artist of similar popularity. He also keeps a solid schedule in the studios working with artists that span all genres of music. He worked with Donna Summer on a song from “Songs from the Neighborhood…the Music of Mr. Rogers,” which won a Grammy for Best Musical Album for Children. In addition to a successful performance career, Justin has written percussion arrangements for numerous local drum lines and percussion ensembles. He also passionately gives back to the community by teaching music to at-risk youth and working with several high school percussion ensembles and drum lines across the southeast.

DAVE WEBB, Bass, began playing upright bass in 6th grade school orchestra and played his first paid gig the next year. That’s when he decided he would be a professional musician. He got his first bass guitar at the age of 13 and started listening to players like Stanley Clarke, Chuck Rainey, Michael Anthony, Jaco, Wyzard, John Entwhistle and Chris Squire. Having such a diverse musical background has allowed Dave to play gigs ranging from Beethoven to BTO, Bebop to Bluegrass. Dave has worked with Rolling Stones keyboardist Chuck Leavell, Randall Bramblet (Widespread Panic, Steve Winwood) and Grammy nominated Blues diva Francine Reed. He has recording credits on over 30 albums, music for CMT, and numerous television commercials. He was on tour with Sugarland in support of their CD, Twice the Speed of Life. During his stint with Sugarland, Dave appeared on The Tonight Show with Jay Leno, CMT Video Music Awards, Good Morning America, CMA Music Fest, the ACM Awards, Soundstage (on PBS), the CMA Awards, the RMA Awards, Dick Clark’s Rockin’ New Year’s Eve.

WAYNE HALL, Video & Photography, is currently doing music videos and “behind the scenes” video for Big Machine Records (Taylor Swift, Trisha Yearwood, Jewel, Daniel Peck) and his work has appeared on CMT & GAC. He also does photo shoots and design for album inserts and promotional materials.

August 7, 2008

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